You want this extra large text/logo layer to bridge the gap
between fantasy and reality. Already we’re looking very good, but
just go ahead and take some time in the layer styles to get just the
right effect that you feel is right. Develop your senses to ‘know’
what works and what doesn’t.
Above I’m adding a copper gradient stroke (gradient instead of
fill under ‘fill type’). Note how perfectly this works with the
design. If you can, use similar color elements when you can...Note
that the intentional border that is left around the girl is a
copper/maroonish color from the original document (could be there
from a right click feather of 1 or 2 that I forget to tell you about
to create a soft edge).
Can you get the feeling that adding a copper gradient on the text
layer should just make a perfect and very subtle yet effective
complement to this border around her?! I didn’t even plan this out,
it just seemed like the right thing to do when I was capturing the
tutorial...You can create great beauty in the details and making
minor improvements/enhancements like this. Someone please tell me at
which University they teach this at?!
Try out some different options if you want. Here I’m trying a
rainbow gradient overlay...
Here are the exact settings I used for the rest of
the superlarge text/vector/fantasy shape layer.
Here you can see that I’ve duplicated the dragon
icon layer after layer masking it and note how it retains the layer
mask on the duplicate. Now you can change the blending modes to find
something that suits you (on the top layer).
Go to your Brushes palette and choose the flowerlei
brush that we’ve created in another tutorial. You must be on the
Brush tool (‘B’) in order to access the brushes palette. Here you
can change the brush dynamics. You can also choose the brush from
the options bar menu. Download some cool, free brushes @ my
new website PSDownloads.com
here.
Now let’s add a little more vector balance to this
design to top it off even more. This is just taking it to the next
level. Can you feel the balance of bitmap (ie. photo) and vector (ie.
text, shape)? In graphic design you want to create feelings and
emotion that synergize with your target audience. These are created
in a visual manner but can trigger internal emotions and (hopefully)
positive references or associations from a person’s internal state.
Ok, I got an “A” in psychology at U of Hawaii Manoa.
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